Katazome is a type of fabric that is decorated through the use of paste resist stencil designs. The technique has been used in China and Japan for hundreds of years. I wanted to try the technique, but felt overwhelmed by the large number of supplies needed. This was my short cut experiment in katazome. I began by cutting out a stencil from some small squares of kakishibu treated paper. Kakishibu is a dye made from the fermented juice of green astringent persimmons. It is often used to dye fabric or to waterproof paper. I copied the chrysanthemum and sea holly patterns from some antique fabrics, and I made a simple rice paste glue by cooking glutinous rice flour in hot water for a few minutes. I left the paste to thicken up and cool down in the refrigerator.
The base fabric was dampened with a spray bottle and the stencil was also moistened so that it would lay flat on the damp fabric. I used a small spatula to push the paste through the stencil before removing the stencil and allowing the paste to dry in the sun for about an hour.
After the paste was no longer tacky I dyed some of the fabric pieces with indigo and the rest using kakishibu. The kakishibu dyed fabrics need to be exposed to strong sunlight in order to deepen the color of the dyed fabric. I am pleased with the simplified katazome fabrics that this experiment produced. I wrapped the fabrics up as gifts with some antique Japanese paper from old daifukucho.
This Meiji era furoshiki depicts a bundle of noshi. These were strips of dried abalone given as gifts in old Japan. Over time the noshi developed into an auspicious design that can be found on many Edo and Meiji era items that were originally meant as gifts. the symbol came to represent a wish for good fortune and prosperity.
This furoshiki employs indigo, persimmon, and sumi ink dyes. The design was created by using rice paste in a resist technique known as tsutsugaki. I love the way the imperfections in the noshi are represented, I also love the deep indigo background color.
This furoshiki has several big patches which makes me think that it was extra special. I know someone treasured it due to all the work they put into mending it.
Happy New Year.
This antique paper covered basket holds some of the yarns I have been making over the past few months. The basket itself is really special. It has been covered with a layer of hand spun cloth and then encased in multiple layers of paper taken from daifukucho or shopkeepers ledgers. some of this paper has been treated with persimmon tannin which turned the paper dark red/brown and made the basket waterproof. I think the basket is probably from the early Meiji period.
Here are some wisteria or fuji yarns. The blue has been dyed with indigo.
I dyed this fuji yarn with indigo that was past its prime. It has a gray quality I really like.
This paper yarn or shifu I made from part of a roll of washi paper I found. I cut the paper into a long narrow strip and then spun it using an Ashford spinning wheel. the thread is really strong and has a lot of elasticity. I would like to try dying shifu in the future but it seems like the nature of paper and water might cause problems.
This is yarn I made from scrap cloth cut into strips and spun. some of the cloth has been dyed with indigo.