It has been a while since I have posted on this blog. I have been busy sourcing antique and vintage fabrics and dyeing katazome textiles. I have also been working on a new website and blog. Please visit our new website for blog posts on antique Japanese textiles and my new indigo dye projects. We also have a shop where you can purchase fabrics and an experiences page where you can learn about upcoming classes and textile tours. Visit the new website at: www.nsomerstextiles.com
This Katazome fabric is light and soft and I think the background decorations must have been inspired by the embroidered designs from Ainu robes.
The two pieces of mid 19th century hand spun and hand woven cotton shown above are dyed using benibana or safflower. This flower in the thistle family is used to dye cotton and silk a range of colors from light pink to deep red. As benibana dyed fabrics age they begin to turn a more brown or rust color like the pieces in this post.
both of the fabrics shown here has been pattered using a katagami, or paper stencil used to apply rice paste to the fabric as a resist before dying. These stencil dyed fabrics are known as katazome.
I found this fabric in Tokyo back in July. at first I thought it was just a piece of indigo dyed cotton, but after picking it up and noticing the texture and light weight I inspected it closer and found that it has a cotton warp and a paper weft. The fabric must date to around the early 20th century.
Above you can clearly see the paper weft threads in one of the ragged ends of the fabric. Below I placed a skein of my handmade paper thread next to the fabric.
While visiting Kyoto I went to Gallery Kei, the gallery had recently exhibited a huge collection of antique paper fabrics. Below is a link to the exhibit at Gallery Kei and some photos of the interior of this beautiful shop. http://gallerykei.jp/event-index.html
Katazome is a type of fabric that is decorated through the use of paste resist stencil designs. The technique has been used in China and Japan for hundreds of years. I wanted to try the technique, but felt overwhelmed by the large number of supplies needed. This was my short cut experiment in katazome. I began by cutting out a stencil from some small squares of kakishibu treated paper. Kakishibu is a dye made from the fermented juice of green astringent persimmons. It is often used to dye fabric or to waterproof paper. I copied the chrysanthemum and sea holly patterns from some antique fabrics, and I made a simple rice paste glue by cooking glutinous rice flour in hot water for a few minutes. I left the paste to thicken up and cool down in the refrigerator.
The base fabric was dampened with a spray bottle and the stencil was also moistened so that it would lay flat on the damp fabric. I used a small spatula to push the paste through the stencil before removing the stencil and allowing the paste to dry in the sun for about an hour.
After the paste was no longer tacky I dyed some of the fabric pieces with indigo and the rest using kakishibu. The kakishibu dyed fabrics need to be exposed to strong sunlight in order to deepen the color of the dyed fabric. I am pleased with the simplified katazome fabrics that this experiment produced. I wrapped the fabrics up as gifts with some antique Japanese paper from old daifukucho.
I recently found this beautiful 19th century indigo dyed fabric that was more than likely used as a furniture cover. These were traditionally made for a wedding and often display the brides family crest. The hand spun cotton thread lends texture to the fabric. The design was worked using a rice paste resist and a method known as tsutsugaki. The light blue of the family crest is known as kame nozoki, or peeking in the vat. The fabric was first dyed with a yellow dye and later over dyed with indigo to create the beautiful green color. In the close up photos you can see the yellow dye that seeped under the resist paste. The last photo shows one of the corners where the yellow dye is also visible. I would guess that the yellow was obtained from gardenia seed pods.
This small two panel furoshiki was probably part of a set of three or four and has been decorated with a family crest indicating it may be part of a traditional wedding dowry. It dates to the late 19th century and is made of hand spun and hand woven cotton. The color is a worn grey which I think may have been obtained by using sumi ink as a dye. The small tsutsugaki pine tree design in the corner is wonderfully simple and sweet.